It was produced by actor Michael Rapaport.īetter Living Through Circuitry about the U.S. I’ll be happy to add titles.Ģ0 Feet From Stardom is about backup singers, how they are overlooked, and how important they are to both recordings and live performances.Īll Things Must Pass: The Rise and Fall of Tower Records is about the history of the late, great music retailer Tower RecordsĪmy is about Amy Winehouse and was released after her death.Īnvil: The Story of Anvil is about heavy metal band Anvil’s decades-long journey.Īs the Palaces Burn is a 2014 film about the metal band Lamb Of God on its 2012 world tour.īang! The Bert Berns Story is a 2017 picture about songwriter and Rock and Roll Hall of Fame inductee, Bert Berns (“Twist and Shout,” “Piece Of My Heart”).īeats, Rhymes & Life: The Travels of a Tribe Called Quest is about, well, hip hop group A Tribe Called Quest. Please leave comments and recommendations. This list is fluid and can grow over time. Who knows what a complete list would look like? Instead, this list is a good beginning to capturing the best documentaries about musicians, music scenes and movements, a retailer, and musical instruments.
To be clear, this is not a complete list of best music documentaries. Sign up to receive emails here.įour decades of releases are represented here: the ’70s, ’80s, ’90s, ’00s and ’10s-more if you count archival footage. This list, compiled from recommendations I received on Twitter, is originally from my Curio Dojo email. If you like documentaries, you’re at the right place. Album DescriptionIt’s not an exhaustive list, but a good list. See More Your browser does not support the audio element. If Lamb of God can maintain their momentum and actually figure it out, they may well find themselves at the top of America's heavy metal stack one day. And still, for all of these positives, one can't help but feel in the end that there's still a wealth of untapped talent just beneath the surface here. Further progress can be heard in vocalist Randy Blythe's performance, as he continues to shed his latent Anselmo-isms to strike a far more individual presence behind the mike. Among these, the excellent tandem of "Ruin" and the title track offer a powerful opening salvo, and additional highlights such as "11th Hour," "Boot Scraper," and the absolutely monstrous "Vigil" continually insert dark, distinctive melody lines within the heaviest of riffs. First off, gone is that out-of-whack percussive curiosity (thanks, boys!), but the band's knack for conjuring tasty riffs out of death metal's tired and weathered carcass remains intact, and it's pleasantly refreshing to discover something memorable and compelling about virtually every song. Which about catches everyone up to discuss the band's second effort as Lamb of God, 2003's equally impressive As the Palaces Burn. Even though the latter point is certainly subject to opinion, at least the other two positive attributes can be partly explained by the group having already cut an earlier album while still going by the rather unsavory name of Burn the Priest. Lamb of God 's New American Gospel debut featured a caustic yet lucid version of post-Pantera death metal, surprisingly effective songwriting, massive amounts of confidence for a brand new band, and, to be honest, a really annoying drum sound (rather like tightly skinned tin cans).
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